2016年8月12日金曜日

演出助手 荒木亜矢子さんのレポート


演出助手 荒木亜矢子さんのレポートです！

ーーーーー

1週間が経とうとしています。
演出助手という仕事の中で好きな部分は、スタッフさんと仲良くなれるところ。簡単に言えば、だけれど。
それぞれがどんな思いや拘りでこの作品に向かっているかを知れるのが楽しい。
作品は順調に20分弱まできています。



懐かしいシーンや道具、衣装に今回のインドネシア要素が混じっていきます。



明日は写真撮影。 そのために衣装家のルルがコーディネート。





美術家のアグンも少しずつ稽古場で使えるモノを持ってきてくれます。



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2016年8月11日木曜日

We Opened "Mahabharata Part3"'s Official website!

[We Opened "Mahabharata Part3"'s Official website!]

We alrady posted some photos and articles..  Finaly we opened "Mahabharata Part3"'s Official website!

Mahabharata Part3 Official site English ver.

http://kikh.com/mahabharata3/


マハーバーラタ第３部　日本語サイト

http://kikh.com/mahabharata3/jp/


Hiroshi KOIKE,Sachiko SHIRAI,Tetsuro KOYANO,and Ayako ARAKI(as an assistant director) arrived at JOGJA Augst 3rd. And started the creation with Indonesian and Malaysian artists.

We'll hold the performance at Sosietet(JOGJA) in Sept. 24th and 25th
and,TIM hall(JAKARTA) in Sept. 28th and 29th.

Don't miss it!


小池博史ブリッジプロジェクトさん(@kikhbridgeproject)が投稿した写真 -

小池博史ブリッジプロジェクトさん(@kikhbridgeproject)が投稿した写真 -



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マハーバーラタpart3 公式サイトオープン！

【マハーバーラタpart3 公式サイトオープン！】
フェイスブックやinstagramで、少しづつ写真を公開してまいりましたが、いよいよマハーバーラタ第３部の公式サイトがオープンいたしました！

マハーバーラタ第３部　日本語サイト

http://kikh.com/mahabharata3/jp/

Mahabharata Part3 Official site English ver.

http://kikh.com/mahabharata3/

すでに、演出家小池博史とともに、パフォーマーの白井さち子さん、小谷野哲郎さん、演出助手として荒木亜矢子さんが、インドネシア／ジョグジャカルタ入りし、作品創作を開始しています。
その様子はこちらのマハーバーラタブログhttp://mahabharatakikh.blogspot.jp/　
や、フェイスブック、instagramでもお知らせしてまいりますので、ぜひご注目ください！

そして、公演ツアーは

9/24,25にジョグジャカルタ／Sosietet
9/28.9/29にジャカルタ／TIM hall 　


にて予定しています。
2015年に上演された「幻祭前夜ーマハーバーラタより」の続編となる本作、日本からのご来場も心よりお待ちいたしております！


小池博史ブリッジプロジェクトさん(@kikhbridgeproject)が投稿した写真 -

小池博史ブリッジプロジェクトさん(@kikhbridgeproject)が投稿した写真 -


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2016年8月3日水曜日

We started Mahabharata part3 in Indonesia




Finally we started Mahabharata part 3 in Indonesia.

We are working on this project since 2013 to 2020.

This is an international corroboration project trying to make the Mahabharata into the teater productions. Firstly,we created part1in Cambodia,secondly we created part2 in India.
And last year we made part2.5 in Tokyo.
Over three years we performed many asian countries.

And then,this year 2016 we'll start to create part3 at Jogjakarta from August 4th.




So,today Japanese members just departed for Indonesia!

We'll release official website in a few days!
Don't miss it!



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2016年8月2日火曜日

マハーバーラタパート3 始動！

小池博史ブリッジプロジェクトは、マハーバーラタパート3を始動します！


今回はインドネシアにて現地アーティストらとともに滞在制作を行い、インドネシア国内2カ所でツアー公演を行います。

詳細は随時こちらのブログやフェイスブックで更新してまいります！
小池博史ブリッジプロジェクトさん(@kikhbridgeproject)が投稿した写真 -


乞うご期待です！





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2015年1月24日土曜日

Message from Waewdao as Draupadi, Yama, Citrasena and Deer.

The day when we reached the end of the last scene and Hiroshi called for black out, my heart dropped. I know that this is going to happen, I know that we will reach this point, I just not prepared for this…….. what can I said?? Everything is so sudden. We’ve been working on this for so long and it seemed to me like a never endless process. But here we are, in Jakarta, counting the day down to the last two performances and go back to our own countries, travel to another countries and continued our profession, until the next time comes. However, after every performances I still feel like I would like to get into the timemachine and go back to the previous one, and make it better, one will ever think that they are completely did such a perfect job for each of their performance, I am one of that. I just hope that we will have time and chance to develop this piece together again in the future. With a lot of love, heart, care, and ambitious from all colleagues, we are able to succeed the Mahabharata II project, thank you to all of you who I couldn’t name, all who work on this, families and friends who always their to support us, we will see again, when our path cross, I promise.
ไม่สามารถรอได้! = Can not wait!
Waewdao, yours Draupadi and so on.
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2015年1月10日土曜日

The piece I admire - by Moon Moon Singh

Once I looked at the piece of Shiva and Arjuna  . I was then rehearsing outside yet, I was keen on seeing what was  happening inside the black box I saw how two dancers ( ‘Sachiko ‘ as ‘Shiva’ and ‘Smesh’ as ‘Arjuna’ )were creatively working on movements . Hiroshi San sees  the’Satvik Bhava’ of the scene and through this I learnt that it is the intention and the emotion behind the scene that counts more as opposed to the movement per say. The music was just as I pictured in my mind this drives further interest and curiosity of what is to be revealed .As I saw Sachiko and Smesh  go through the movements Hiroshi san asked to incorporate sounds with it and this to my surprise gave a tremendous colour to the scene .Especially after Sachiko says ‘Come!!’ It is not easy as it seems yet such choreographies are tricky and so enjoyable for the viewer. I watched this scene grow from Movement to the colour of ‘Shiva ‘. As a director, I could witness the calmness with which one attacks the pulse of the scene and as dancers one needs to colour in its own understanding inclusive of the demand from the creator , this made the task look challenging yet these dancers through rehearsals have proved the true power of the scene. On asking Sachiko San  I was keen on knowing that How difficult it is with the mask to do the lifts and other movements  with Smesh and she said its indeed difficult   but I carry on…” So ladies and Gentlemen !!  It’s the will that counts and not your impossibilities.Its a mind game! Its simple Physics and these two performers have proved it. I now wait for my ‘ God scene’ which is just after this one.I must confess I feel restless and impatient to watch it with keen interest.Neverthless, this scene would continue to permit me to paint the colours of ‘Shiva’ even after the show has ended…this is truly a new beginning of learning and gathering That quintessence of ‘aesthetic sense’.
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